Dawn-Elissa Fischer is committed to student access and success
in higher education. Her courses and publications are created with the intention to facilitate student achievement
concerning information technologies
, ethnographic research methods
and the ability to effectively evaluate core concepts related to intersectionality
as well as critical gender theories.
Dr. Fischer has participated with numerous international social justice creative arts endeavors, including, but not limited to Hiphop as a transnational social movement.
In the Department of Africana Studies, Dr. Fischer is an Associate Professor and she teaches courses on international Black popular culture, information technology and visual ethnography. Thanks to the support of the Woodrow Wilson National Foundation Career Enhancement Fellowship, she is completing two manuscripts entitled Blackness, Race and Gender Politics in Japanese Hiphop and Methods to Floss, Theories to Flow: Hiphop Research, Aesthetics and Activism (an introductory textbook). Her work has been published in Doing Race: 21 Essays for the 21st Century, the Journal of Popular Music Studies, Transforming Anthropology, FIRE!!! The Multimedia Journal of Black Studies and The Western Journal of Black Studies.
Dr. Fischer has co-produced a short film, Nihon Style, with Bianca White, which documents an annual Hiphop festival and its related organizations in Japan. She co-directs the BAHHRS (the Bay Area Hip Hop Research and Scholarship) project with Dave “Davey D” Cook, which was awarded the Cesar Chavez Institute’s Community-University Empowerment Grant. Dr. Fischer is a founding staff member of Dr. Marcyliena Morgan’s Hiphop Archive as well as a co-founder of the National Hip Hop Political Convention.
Photo Credit: B+